ALEXANDER PAYNE

Both “Barbie” and “Oppenheimer” are among the 10 films that will receive an AFI Award in January, the American Film Institute said Thursday.

Associated Press film writers Lindsey Bahr and Jake Coyle have named their best movies of 2023.

“Killers of the Flower Moon” was named the best film of the year by the National Board of Review, adding to the early awards-season haul of Martin Scorsese’s Osage epic.

Celine Song’s “Past Lives,” Todd Haynes’ “May December” and Cord Jefferson’s “American Fiction” got a leading five nominations, including best feature, from the Film Independent Spirit Awards.

“The Holdovers" marks the long-in-coming reunion of Paul Giamatti and director Alexander Payne, 20 years after “Sideways.”.

A deep affection for cinema tends to run alongside the moviemaking for Alexander Payne.

Universal and Blumhouse's video game adaptation “Five Nights at Freddy's” topped the North American box office in its second weekend, according to studio estimates Sunday.

One of the many impacts of Hollywood's lengthy actors strike has been that most performers haven't been able to promote their work.

Cord Jefferson’s “American Fiction,” a biting satire starring Jeffrey Wright as a disillusioned academic, has won the People’s Choice Award at the Toronto International Film Festival, a much-watched bellwether in the Oscar race.

As the Toronto International Film Festival winds down after a week of wall-to-wall premieres, there has been no more fraught turf than the land that families try to eke out a life on, amid geopolitical storms knocking on the front door.

When SAG-AFTRA announced a strike this summer, Cameron Bailey, the longtime chief executive of the Toronto International Film Festival, dusted off his COVID-19 playbook.

The great films of the 1970s have long loomed in the imagination of filmmakers raised during one of the most fertile periods of American movies.

Hollywood is at a standstill.

Randall Park was a struggling actor when he first encountered Adrian Tomine’s graphic novel “Shortcomings” in 2007.

The seemingly limitless range of Hong Chau is on display in three films this year, in roles so different that they hardly seem the work of one actor.