A new Met Opera production of “Tristan und Isolde” uses Wagner’s rare wooden horn, the holztrompete, for a key offstage moment.

Opera director Yuval Sharon has said that Wagner’s “Tristan und Isolde” is the hardest work in the traditional repertoire to stage.

Soprano Asmik Grigorian is to sing the title role in Georges Bizet's “Carmen,” a mezzo-soprano touchstone, for the first time at the Salzburg Festival this summer.

The Monkey King, a beloved figure in Chinese mythology, is now the star of an opera.

The Bayreuth Festival has dropped four productions from its 150th anniversary season in 2026 because of budget cuts.

A special Ring Cycle will be performed for the 150th anniversary Bayreuth Festival in 2026, the annual Richard Wagner showcase said as this season’s schedule ended with sellouts for all 30 performances.

Icelandic director Thorleifur Örn Arnarsson’s production of “Tristan und Isolde” at the Bayreuth Festival is becomes a psychoanalytic examination of self-loathing and burdensome expectations.

The Bayreuth Festival in Germany has announced it is retaining Katharina Wagner as its director for another five years.

A month after Yevgeny Prigozhin was killed in a suspicious plane crash, the Kremlin seems to be succeeding in keeping the demise of the profane and outspoken Wagner chief as low-key as possible.

Tenor Stephen Gould, who announced earlier this month that he had been diagnosed with incurable bile duct cancer, has died.

The manifest of the plane that went down in Russia is essentially a who’s who for the Wagner mercenary group: The second-in-command, who baptized Wagner with his nom de guerre, the logistics chief and a fighter wounded by U.S. airstrikes in Syria.

Nathalie Stutzmann has become the second woman to lead a Richard Wagner opera at the Bayreuth Festival.

Director Jay Scheib’s augmented reality-infused production of Wagner's “Parsifal” premiered in the the theater the composer conceived of in the late 1880s.